North | South, 2008
Since 2001, I have focused on water as a singular theme in my work. Having worked on five continents, I have attempted to catalogue through a variety of photographic mediums, the atmosphere, colors, lights, shapes and forms that comprise the world’s oceans, seas and shores.
During 2007 and into the spring of 2008, I made several long journeys to the upper and lower extremes of our planet to photograph the shorelines, monolithic ice forms and landscapes of Greenland, Icelandic and Antarctica. Most of these places are arduous to reach, beyond the borders of domestic transportation routes, accessible only by small aircraft or boat. All are endangered to some extent – threatened by tourism, climate change, industry and the hunt for oil. This new series, North/South begins to explore what are currently the most geopolitical and geographically sensitive shorelines on earth.
Formally different than my previous work, but motivated by similar principals, these images attempt to encapsulate both the otherworldliness and the vital reality of the northern seas and oceans. I was drawn to the fragility and grace of the frozen landscape. For me, the work is both a celebration of nature’s survival and an elegy.
The majority of the images were made using a gyro stabilized medium format and a panoramic 6×17 handheld camera from the side of small open boats and large ice strengthened ship. Several were made from shore with a tripod-mounted camera. Originally conceived of as a black and white monochrome project with the images shot in Greenland 2007, the unique and surreal color palate of these extreme latitudes compelled the addition of colour. It is a hint of what Norwegian Arctic explorer Fridtjof Nansen was alluding to when he wrote:
“Nothing is more wonderfully beautiful can exist than the arctic night. It is a dreamland, painted in the imagination’s most delicate tints: its colour etherealized. One shade melts into the other, so that you cannot tell where one ends and the other meets, and yet they are all there.”
Vancouver, Canada, based David Burdeny has exhibited with the Jennifer Kostuik Gallery since 2001, showcasing his images from the world over, including Antarctica, Iceland, Brazil, China, Burma, Cambodia, France, Italy, Canada and the USA. Known for his finely composed photographs, David Burdeny has spent the past 20 years exploring a variegated photographic Landscape ranging from minimal seascapes, ornate European interiors to abstract aerial images. Widely collected in Canada, the USA, Asia and Europe, the sheer beauty of David’s images has firmly placed him within the realm of Canada’s most sought after photo-based artists. David’s willingness to take risks, eschew dogma and continuously pursue his innate curiosity for new subjects and themes has become a signature element in his work. Be it mounting a camera beneath a self -built drone, shooting from the deck of an Antarctic bound icebreaker or waiting for an ocean tide to advance, David faithfully imbeds his own formal signature into each and every image further expressing a lifelong passion for the built environment and the camera’s interpretation of it. Distinctly David Burdeny, the photographs are rigorous yet graceful, inviting the viewer to form their own narrative as if they too were passing through space or gazing into the horizon for the very first time.
David Burdeny’s Masters in Architecture and Interior Design background combined with his upbringing in the vast Canadian prairies provides the template for his keen technical ability, enduring patience and minimalist aesthetic. Recently moving from using large format film to now the finest available digital cameras and precision optics, his images are rendered large and detailed. A Bright Future- Photographs of Russian Subways, Theaters and Palaces 2015 received an explosion of media interest, especially in the UK and Russia. Burdeny was in New York City to receive his First Place Award from IPA for Avata Metro Station, St. Petersburg, Russia in the Category of Historic Architecture, and was interviewed for the most recent articles for The Guardian UK and Wired publications amongst several others. In 2012, the Ancora Series of 2010 was exhibited at the Centre for Photographic Art, Carmel CA, Curated by Richard Gadd. Burdeny has won several gold awards in international art photography competitions, most significantly receiving International Photographer of the Year in the Nature category for Canada, revealed at the Lucie Awards Ceremony in New York City, October 2008. His first book Shorelines sold out in both the limited collector edition and trade publication. He has 10 Limited Edition Photographic Series currently offered and is represented by other art dealers in Canada, the USA and Europe. His second hard cover book is A Bright Future, 2015 with text by esteemed writer and translator, Rosamund Bartlett.
Loose Print Pricing
21 x 21 inches – $3,200
21 x 26 inches – $3,300
21 x 42 inches – $4,500
32 x 32 inches – $6,300
32 x 40 inches – $6,600
32 x 64 inches – $8,000
44 x 44 inches – $7,800
44 x 55 inches – $8,000
44 x 88 inches – Price Upon Request
59 x 59 inches – Price Upon Request
59 x 73.5 inches – Price Upon Request