David Burdeny- Drift 22, Sea Of Japan Triptych, 2004

David Burdeny- Drift 22, Sea Of Japan Triptych, 2004

David Burdeny- Drift 22, Sea Of Japan Triptych, 2004

EditionAP
MediumArchival Pigment Print (Aluminum, Plexi-transmount, glossy)
Dimensions22 x 66 x 1 inches
Value$10,500.00 | This piece is currently in our inventory
Mounting OptionsUltramount, Dibond Mount, Plexi-Transmount, UV Laminate

Tiered Pricing

Print DimensionsPrint EditionsArtist ProofsCurrent Value
43 x 129 inchesEdition of 52 Artist ProofsPrice Upon Request
32 x 96 inchesEdition of 102 Artist ProofsPrice Upon Request
15 x 45 inchesEdition of 72 Artist Proofs$3,360.00
Artist Biography

Vancouver, Canada, based David Burdeny has exhibited with the Jennifer Kostuik Gallery since 2001, showcasing his images from the world over, including Antarctica, Iceland, Brazil, China, Burma, Cambodia, France, Italy, Canada and the USA. Known for his finely composed photographs, David Burdeny has spent the past 20 years exploring a variegated photographic Landscape ranging from minimal seascapes, ornate European interiors to abstract aerial images. Widely collected in Canada, the USA, Asia and Europe, the sheer beauty of David’s images has firmly placed him within the realm of Canada’s most sought after photo-based artists. David’s willingness to take risks, eschew dogma and continuously pursue his innate curiosity for new subjects and themes has become a signature element in his work. Be it mounting a camera beneath a self -built drone, shooting from the deck of an Antarctic bound icebreaker or waiting for an ocean tide to advance, David faithfully imbeds his own formal signature into each and every image further expressing a lifelong passion for the built environment and the camera’s interpretation of it. Distinctly David Burdeny, the photographs are rigorous yet graceful, inviting the viewer to form their own narrative as if they too were passing through space or gazing into the horizon for the very first time.

David Burdeny’s Masters in Architecture and Interior Design background combined with his upbringing in the vast Canadian prairies provides the template for his keen technical ability, enduring patience and minimalist aesthetic. Recently moving from using large format film to now the finest available digital cameras and precision optics, his images are rendered large and detailed. A Bright Future- Photographs of Russian Subways, Theaters and Palaces 2015 received an explosion of media interest, especially in the UK and Russia. Burdeny was in New York City to receive his First Place Award from IPA for Avata Metro Station, St. Petersburg, Russia in the Category of Historic Architecture, and was interviewed for the most recent articles for The Guardian UK and Wired publications amongst several others. In 2012, the Ancora Series of 2010 was exhibited at the Centre for Photographic Art, Carmel CA, Curated by Richard Gadd. Burdeny has won several gold awards in international art photography competitions, most significantly receiving International Photographer of the Year in the Nature category for Canada, revealed at the Lucie Awards Ceremony in New York City, October 2008. His first book Shorelines sold out in both the limited collector edition and trade publication. He has 10 Limited Edition Photographic Series currently offered and is represented by other art dealers in Canada, the USA and Europe. His second hard cover book is A Bright Future, 2015 with text by esteemed writer and translator, Rosamund Bartlett.

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1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. info@kostuikgallery.com

James Lahey- Flag of Canada (Made in Canada) III

James Lahey- Flag of Canada (Made in Canada) III

James Lahey- Flag of Canada (Made in Canada) III

MediumMixed Media on Canvas
Dimensions73 x 49 x 2.5 inches framed
ValuePrice Upon Request
Artist Biography

James Lahey is a Canadian artist living in Toronto, ON where he maintains his studio. He completed his BFA at York University in 1984 with studies in Art and Architecture in Italy (1982) through a joint programme with York University, Toronto and Lowell University, Massachusetts. In 1986 he obtained a certificate from the O.M.A. in the preservation of Art and Artifacts. Upon graduation, Lahey negotiated career and vocation, including positions at The Art Gallery at Harbourfront, The Power Plant, The Art Gallery of Ontario and Bruce Mau Design all located in Ontario, Canada. Since 1998, Lahey has concentrated exclusively on his painting practice and side projects in photography and collaborative outdoor installation projects.

In 2001, Lahey was elected to the Royal Canadian Academy and was a Member of the Board of Directors at the Power Plant Contemporary Art Gallery in Toronto 2009 through to 2012, and a past Member of the Board of Directors for Dancemakers. Currently, James is a Member of the Acquisitions Committee for the Photography Drawings Department of the Art Gallery of Ontario, a past member of the Acquisitions Committee for Prints and Drawings at The Art Gallery of Ontario, and a current member of the Advisory Board of PEN Canada.

James Lahey is represented in galleries across Canada, in Britain and the United States where his work can be found in numerous private and public collections. In 2005, the MacLaren Museum installed his “Index” exhibition Mark Kingwell. In 2007, “Index” was installed at The University of Toronto Art Centre. In 2008 James opened one person shows in New York and London where “your imperfect history” was published in conjunction with the exhibition by Flowers U.K. His project, “Guido’s Rhombus” opened at Museum London in the fall of 2009. A catalogue co-written by Ihor Holubizky, Curator of Contemporary Art at Museum London and Dennis Reid, Chief Curator at the Art Gallery of Ontario accompanied the exhibition. In 2011, “Eight Days” opened at the Nicholas Metivier Gallery, Toronto ON. A publication produced in collaboration with Toronto writer and poet Lynn Crosbie accompanied that exhibition. James’ most recent exhibition “Photographs” took place in spring 2013 with a foreword to the exhibition provided by photography artist, Ed Burtynsky.

In 2015, Lahey’s large-scale public project, “Spring”, a collaboration with Concord Adex, was completed. The project’s initial parameters included selected glazing on the tower, the exterior of the roof top mechanical room and a pedestrian walkway, which required the installation of windscreens. The glazing installations start at ground level and continue through to the 36th floor — on the North and South sides of the building in a glass spine visible from both inside and outside the tower. “The Rooftop” project features a pixilated blossom visible from many miles away — from the 401 Highway and from the air. The pedestrian windscreens are 3 separate obelisks positioned near a central set of stairs that lead into the retail level of the tower. A secondary project was developed for the interior public areas where these same thematic concerns have been extended. There is a chromatic shift in these interior installations; while the exterior images are high chroma, the interior images are situated just next to black and white, with only a memory of colour.and published a catalogue of the same name with contributions by art writer Ihor Holubizky.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. info@kostuikgallery.com

James Lahey- Flag of Canada (Made in Canada) III

Flag of Canada (Made in Canada) III

Flag of Canada (Made in Canada) III

MediumMixed Media on Canvas
Dimensions73 x 49 x 2.5 inches framed
ValuePrice Upon Request
Artist Biography

James Lahey is a Canadian artist living in Toronto, ON where he maintains his studio. He completed his BFA at York University in 1984 with studies in Art and Architecture in Italy (1982) through a joint programme with York University, Toronto and Lowell University, Massachusetts. In 1986 he obtained a certificate from the O.M.A. in the preservation of Art and Artifacts. Upon graduation, Lahey negotiated career and vocation, including positions at The Art Gallery at Harbourfront, The Power Plant, The Art Gallery of Ontario and Bruce Mau Design all located in Ontario, Canada. Since 1998, Lahey has concentrated exclusively on his painting practice and side projects in photography and collaborative outdoor installation projects.

In 2001, Lahey was elected to the Royal Canadian Academy and was a Member of the Board of Directors at the Power Plant Contemporary Art Gallery in Toronto 2009 through to 2012, and a past Member of the Board of Directors for Dancemakers. Currently, James is a Member of the Acquisitions Committee for the Photography Drawings Department of the Art Gallery of Ontario, a past member of the Acquisitions Committee for Prints and Drawings at The Art Gallery of Ontario, and a current member of the Advisory Board of PEN Canada.

James Lahey is represented in galleries across Canada, in Britain and the United States where his work can be found in numerous private and public collections. In 2005, the MacLaren Museum installed his “Index” exhibition Mark Kingwell. In 2007, “Index” was installed at The University of Toronto Art Centre. In 2008 James opened one person shows in New York and London where “your imperfect history” was published in conjunction with the exhibition by Flowers U.K. His project, “Guido’s Rhombus” opened at Museum London in the fall of 2009. A catalogue co-written by Ihor Holubizky, Curator of Contemporary Art at Museum London and Dennis Reid, Chief Curator at the Art Gallery of Ontario accompanied the exhibition. In 2011, “Eight Days” opened at the Nicholas Metivier Gallery, Toronto ON. A publication produced in collaboration with Toronto writer and poet Lynn Crosbie accompanied that exhibition. James’ most recent exhibition “Photographs” took place in spring 2013 with a foreword to the exhibition provided by photography artist, Ed Burtynsky.

In 2015, Lahey’s large-scale public project, “Spring”, a collaboration with Concord Adex, was completed. The project’s initial parameters included selected glazing on the tower, the exterior of the roof top mechanical room and a pedestrian walkway, which required the installation of windscreens. The glazing installations start at ground level and continue through to the 36th floor — on the North and South sides of the building in a glass spine visible from both inside and outside the tower. “The Rooftop” project features a pixilated blossom visible from many miles away — from the 401 Highway and from the air. The pedestrian windscreens are 3 separate obelisks positioned near a central set of stairs that lead into the retail level of the tower. A secondary project was developed for the interior public areas where these same thematic concerns have been extended. There is a chromatic shift in these interior installations; while the exterior images are high chroma, the interior images are situated just next to black and white, with only a memory of colour.and published a catalogue of the same name with contributions by art writer Ihor Holubizky.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. info@kostuikgallery.com

Carrara, Italy

Carrara, Italy

Carrara, Italy

MediumLambdaprint, Diasec (UV plexi-transmount) Glossy

Tiered Pricing

Print DimensionsPrint EditionsArtist ProofsCurrent Value
21.5 x 71 inchesEdition of 5 Sold Out1 Artist Proof AvailablePrice Upon Request
Artist Biography

Kuettinger studied architecture with a main focus on conceptual urbanism at the Technical University of Munich, graduating with a degree as an architect in 1999. Since then, Georg has been focusing on photography. As a self taught artist, his fascination for photography started when he won his first camera at the age of 9 - in a drawing competition on the subject of woods and snakes. A highlight of his career was being selected from artists across Western Europe to have his work featured in a solo booth as a ‘promising emerging artist’ at KIAF art fair Seoul 2008. The artist has shown in a wealth of solo and group exhibitions, and his art represented at art fairs in Europe, Asia and Canada. The Kostuik Gallery has been representing Georg Kuettinger since 2015.

Related Images:

1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. info@kostuikgallery.com

Georg Küttinger- Huitrages, Bretagne, France, 2011

Georg Küttinger- Huitrages, Bretagne, France, 2011

Georg Küttinger- Huitrages, Bretagne, France, 2011

MediumLambdaprint, Diasec (UV plexi-transmount) Glossy

Tiered Pricing

Print DimensionsPrint EditionsArtist ProofsCurrent Value
29.5 x 106.25 inchesEdition of 31 Artist ProofsPrice upon request
21.25 x 71 inchesEdition of 52 Artist ProofsCurrent Value: $6,200
Artist Biography

Kuettinger studied architecture with a main focus on conceptual urbanism at the Technical University of Munich, graduating with a degree as an architect in 1999. Since then, Georg has been focusing on photography. As a self taught artist, his fascination for photography started when he won his first camera at the age of 9 - in a drawing competition on the subject of woods and snakes. A highlight of his career was being selected from artists across Western Europe to have his work featured in a solo booth as a ‘promising emerging artist’ at KIAF art fair Seoul 2008. The artist has shown in a wealth of solo and group exhibitions, and his art represented at art fairs in Europe, Asia and Canada. The Kostuik Gallery has been representing Georg Kuettinger since 2015.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. info@kostuikgallery.com