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Pretty In Pink

Pretty In Pink

Pretty In Pink

Medium Aluminum with powder coat
Dimensions 44 x 48 x 9 inches
Value Price Upon Request
Artist Biography

Matt Devine is a self-taught sculptor working with steel, stainless steel, aluminum and bronze. Born in Salem, Massachusetts in 1975 and raised in New England, Devine moved to California in 1995 where he learned how to weld and fabricate while working closely with his father. He continued on at various fabrication studios honing his craft and developing a passion for metalwork and sculpture. Functional and architectural works gave way to non-representational sculptures, which he showed at galleries with increasing frequency and success. The freedom of having no rules or boundaries with sculpture was especially appealing to Devine. In 2004 he was able to transition to full time artist. The contrasts of nature and industry, light and shadow, chaos and order are themes found throughout Devine’s body of work. Pared-down organic shapes are formed out of sheet and solid materials and welded together in harmonious accord, making the heavy metal appear as light as paper. These contrasts, plus the relationships of patterns and boundaries, address Devine’s desire to contain chaos and push out the discord of an information-saturated culture. Even the process of welding has become a retreat from cultural noise. Devine’s sculpture is currently on display at highly-regarded fine art galleries across North America and Europe. His sculptures can be found in private, corporate and international collections on five continents. Devine currently resides with his wife and daughter in Petaluma, California.

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1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Prism, Color Space XXIV, 2017

Prism, Color Space XXIV, 2017

Prism, Color Space XXIV, 2017

Medium Acrylic on Canvas
Dimensions 60 x 60 x 1.25 inches
Value $15,000.00
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Passage, Color Space XVI, 2017

Passage, Color Space XVI, 2017

Passage, Color Space XVI, 2017

Medium Acrylic on Canvas
Dimensions 60 x 60 x 1.25 inches
Value Sold
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Refraction, 2017

Refraction, 2017

Refraction, 2017

Medium Acrylic on Canvas
Dimensions 48 x 72 x 1.25 inches
Value $11,000.00
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Monitor, Color Space XXVI, 2017

Monitor, Color Space XXVI, 2017

Monitor, Color Space XXVI, 2017

Medium Acrylic on Canvas
Dimensions 48 x 48 x 1.25 inches
Value $8,000
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]