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James Verbicky – Untitled, Study

James Verbicky – Untitled, Study

James Verbicky – Untitled, Study

Medium Collage and Paint on Paper
Dimensions Image Size: 30 x 22 inches | Framed: 32.75 x 25 x 1.75 inches
Value $4,000.00
Opening Bid $3,000.00
Current Bid $3,000.00
Artist Biography

In 2010, Canadian born, California based, Verbicky absorbed multiple West Coast surf and music cultural influences into his work. His extensive experience as a DJ is also reflected in the work, resonating visually via the overlapping and intersecting visual “tracks” that he utilizes in the construction of his profoundly complex image structures. The recursive, opulent element demonstrated by the artist is illuminating in fact, reminding us of the most accurate descriptions of the Baroque sensibility: movement imported into mass; dynamic composition with exaggerated motion; clarity of abundant detail producing dramatic tension and exuberance; intense overload and a sense of overwhelmingly immersive sensual experience. Notable private collections include that of the developer of the NY World Trade Center and CEO of Aecom, (Verbicky’s large canvas ERA Series) along with the esteemed private collection of the Tisch family (founders of the Tisch School of the Arts at NYU and the Tisch Galleries at the NY Metropolitan Museum of Art) and the San Diego Museum of Fine Art, CA. In 2008, Verbicky’s work was selected for a 110 year-old juried exhibition at the Louvre, in Paris, France, by the Societie Nationale des Beaux-Arts. Other international exhibitions range from Berlin to New York, Boston, Washington D.C., Los Angeles, and San Diego. Verbicky also collaborates with philanthropic organizations by contributing his artwork. In 2017, he received a personal invitation from Robert Kennedy for the Sotheby’s art auction to benefit Kennedy’s Waterkeeper Alliance foundation for cleaner water worldwide.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Citta Samtana Diptych 232, 2019

Citta Samtana Diptych 232, 2019

Citta Samtana Diptych 232, 2019

Medium Mixed Media Collage / Resin on Wood
Dimensions 60 x 80 x 2 inches
Value Sold
Artist Biography

In 2010, Canadian born, California based, Verbicky absorbed multiple West Coast surf and music cultural influences into his work. His extensive experience as a DJ is also reflected in the work, resonating visually via the overlapping and intersecting visual “tracks” that he utilizes in the construction of his profoundly complex image structures. The recursive, opulent element demonstrated by the artist is illuminating in fact, reminding us of the most accurate descriptions of the Baroque sensibility: movement imported into mass; dynamic composition with exaggerated motion; clarity of abundant detail producing dramatic tension and exuberance; intense overload and a sense of overwhelmingly immersive sensual experience. Notable private collections include that of the developer of the NY World Trade Center and CEO of Aecom, (Verbicky’s large canvas ERA Series) along with the esteemed private collection of the Tisch family (founders of the Tisch School of the Arts at NYU and the Tisch Galleries at the NY Metropolitan Museum of Art) and the San Diego Museum of Fine Art, CA. In 2008, Verbicky’s work was selected for a 110 year-old juried exhibition at the Louvre, in Paris, France, by the Societie Nationale des Beaux-Arts. Other international exhibitions range from Berlin to New York, Boston, Washington D.C., Los Angeles, and San Diego. Verbicky also collaborates with philanthropic organizations by contributing his artwork. In 2017, he received a personal invitation from Robert Kennedy for the Sotheby’s art auction to benefit Kennedy’s Waterkeeper Alliance foundation for cleaner water worldwide.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Prism, Color Space XXIV, 2017

Prism, Color Space XXIV, 2017

Prism, Color Space XXIV, 2017

Medium Acrylic on Canvas
Dimensions 60 x 60 x 1.25 inches
Value $15,000.00
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Passage, Color Space XVI, 2017

Passage, Color Space XVI, 2017

Passage, Color Space XVI, 2017

Medium Acrylic on Canvas
Dimensions 60 x 60 x 1.25 inches
Value Sold
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]

Refraction, 2017

Refraction, 2017

Refraction, 2017

Medium Acrylic on Canvas
Dimensions 48 x 72 x 1.25 inches
Value $11,000.00
Artist Biography

Born and raised in New York City, resided in Houston Texas and is currently based in Miami Florida. In 1991, graduating with a Bachelar
of Arts, Studio Art-Cum Laude from Arizona State University, William Betts has exhibited throughout North America and Europe. His artwork has been featured in the group exhibition, Rasterfahndung (Tracing the Grid), Kunstmuseum, in Stuttgart, Germany, in the Arlington Museum
of Art, The University of Texas, The Salt Lake City Art Center, The University of Wisconsin, Eau-Claire, and the Albuquerque Museum. His selected Bibliography includes The Creators Project (video interview), June 2016; Politiken, Københagen, Photo Essay, March 28, 2016; Kinetic, Art from Polsinelli Art Collection, Privately Published 2015; Victoria Machmudov, Under övervakningsradarn, Konstperspektiv, Sweden, June, 2014 and Rasterfahndung (Tracing the Grid), Kunstmuseum Stuttgar (Show Catalog). He was named New American Painting Annual Prize winner in 2011 and featured in issues #60, #72, #84, and #96 William Betts had a career in tech industries where he established proficiency in computer language and programing. From this, he uses complex industrial processes to create paintings that reflect the possibilities for an analog medium in a digital age. Betts uses his own source material (photographs/videos) as data sets to be examined, sampled, re-contextualized, manipulated and represented. Typically less interested in content and more concerned with the structural and social aspects of the image.

Related Images:


1070 Homer Street,
Vancouver, BC, V6B 2W9, Canada

T. 604.737.3969
E. [email protected]