Traverse, 2013

Artist Statement

This past year, I found myself in the privileged position of working in China, Burma, Cambodia, and Hawaii, traversing across a varied landscape of urban and rural environments. The resulting photographs are a response to my personal sense of wonder about these places, and their inhabitants. Less a linear narrative and more a catalogue of singular moments, this series emphasizes the instant where light, form, texture and colour come together on a particular day.

Working from first light, to dusk and beyond, I was searching for experiences that were, through my eyes, beautiful or profound:  a city shrouded in morning fog, a full moon illuminating the ocean, blue evenings, golden mornings, and a lone sailor on the ocean.

Traverse represents the culmination of a decade of photographic experimentation.  These new images remain contemplative, and expand upon the formal and natural themes that I have investigated in previous bodies of work. Sky, water, lengthy exposures, atmosphere and vacant space form the underpinnings of these photographs, while the human form gains greater prominence.

This body of work marks a new and profound way of image making for me. The complexities of international travel, combined with the increased rarity of my favored film stock, forced me to experiment on a large scale with a completely digital workflow. The updated optical formulas (with a high-resolution digital back) interpret light with the utmost clarity, but more importantly for me, it does so with immediacy.  Many of these images were acquired hand-held, in confined or moving space such as boats, helicopters, ultra light aircraft, and wobbly teak bridges – areas previously off limits to a large format, tripod-mounted camera.

For the first time in many years, I was less of an observer and more of a participant. As such, my attention was diverted away from operating a camera, and towards the experiences, weather, and people around me. I was once again working in the moment; my intentions being to convey a small fragment of how those moments can be beautiful.

Artist Biography

David Burdeny initiated his career with the Jennifer Kostuik Gallery in 2001 and has been exhibiting his images from the world over, including Antarctica, Iceland, Brazil, China, Burma, Cambodia, France, Italy, Canada and the USA. Known for his finely composed photographs, Burdeny has spent the past 25 years exploring a variegated photographic Landscape ranging from minimal seascapes, ornate European interiors to abstract aerial images. Widely collected in Canada, the USA, Asia and Europe, the sheer beauty of David’s images has firmly placed him within the realm of Canada’s most sought after photo-based artists. Burdeny has an innate curiosity for new subjects and themes, producing over 20 themed photographic series. Be it mounting a camera beneath a self-built drone, shooting from the deck of an Antarctic bound icebreaker, or waiting for an ocean tide to advance, he faithfully embeds his own formal signature into each and every image, further expressing a life long passion for the built environment and the camera’s interpretation of it.

David Burdeny’s Masters in Architecture and Interior Design background combined with his upbringing in the vast Canadian prairies provides the template for his keen technical ability, enduring patience and minimalist aesthetic.

Pricing

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