Willow Branch / Royer Group
Curtis Cutshaw: back to Artist
Artist Statement
The Willow Branch series was started a few years ago in my studio as a break from my paintings. The immediacy and freshness of the ink on paper felt like a wonderful meditative exploration to me. I trusted the brain in my wrist to guide my hand and allow myself the freedom and looseness to find the form. With a minimal amount of lines there was nothing to hide behind. The sureness of my eye and the distance I had from the work using sharpened willow branches dipped in ink created drawings that are both elegant and fine.
Artist Biography
Based in Calgary, Alberta, CurtisCutshaw received his B.F.A from the Alberta College of Art + Design in 1989. While still a student, Cutshaw was accepted to the New York Loft Program through the Nova Scotia School of Art and Design where he was mentored by well known American artists Peter Halley and David Diao. After graduation, Cutshaw then attended the prestigious residency program at the Skowhegan School of Painting and Sculpture in Skowhagen, Maine, USA, and was the first artist from Calgary to be accepted since 1973. British artist John Walker and American artists Terry Winters, Connie Fox and Bill King mentored him. Cutshaw has shown across Canada and in numerous international exhibitions and his work is included in many collections including Alberta Foundation For The Arts, Cenovus Energy, Encana Corporation, Mount Royal University, Shell Canada Limited and Wilson Laycraft LLP. Kostuik Gallery has represented Curtis Cutshaw since 2000.
Curtis Cutshaw’s mediums have always included painting and drawing. In 2005, he developed a unique approach to drawing where he acts as the “medium” through which dowsing rods, held by the artist, move when water is found underground. With pens on paper held beneath them, several layers of lines are recorded, much like a seismograph. They are then scanned, enlarged and colored, each image sized according to the scale. His work has progressed into painting and collage on panel to his newest series of assemblages, a combination of found signage and repurposed wood. His artist statements reflect his preference to relay the story of discovery and relation in his mind in the fruition of a new series and then later the evolution of his thoughts over the time span of the series life.
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