Believe

Moonwalk

Moonwalk

Moonrise

Moonrise

Midsummer Moonrise

Midsummer Moonrise

Hideaway

Hideaway

Talking Trees, Urabandai, Fukushima, Japan

Talking Trees, Urabandai, Fukushima, Japan

Stretching Tree, Urabandai, Fukushima, Japan

Stretching Tree, Urabandai, Fukushima, Japan

Sakura and Rapeseed Blossoms, Fukushima, Japan

Sakura and Rapeseed Blossoms, Fukushima, Japan

Sairyuji Kannon in Snow, Mishima, Fukushima, Japan

Sairyuji Kannon in Snow, Mishima, Fukushima, Japan

North Pacific Ocean, Study 2, Fukushima, Japan

North Pacific Ocean, Study 2, Fukushima, Japan

Maple Leaf in Snow, Mishima, Fukushima, Japan

Maple Leaf in Snow, Mishima, Fukushima, Japan

North Pacific Ocean, Study 1, Fukushima, Japan

North Pacific Ocean, Study 1, Fukushima, Japan

Jitokuji Tanemaki Sakura, Study 2, Fukushima, Japan

Jitokuji Tanemaki Sakura, Study 2, Fukushima, Japan

Inawashiro Lake Tree, Study 1, Fukushima, Japan

Inawashiro Lake Tree, Study 1, Fukushima, Japan

Fifty-Six Foxes, Takayashiki Inari Shrine, Fukushima, Japan

Fifty-Six Foxes, Takayashiki Inari Shrine, Fukushima, Japan

Enchanting Tree, Urabandai, Fukushima, Japan

Enchanting Tree, Urabandai, Fukushima, Japan

Aizu Jibo Dai, Kannon, Study 1, Fukushima, Japan

Aizu Jibo Dai, Kannon, Study 1, Fukushima, Japan

Heidodan Sakura Tree, Study 5, Fukushima, Japan

Heidodan Sakura Tree, Study 5, Fukushima, Japan

Marianne Lovink- Boundary Series #2

Marianne Lovink- Boundary Series #2

Marianne Lovink- Nymph 1

Marianne Lovink- Nymph 1

Marianne Lovink- Sprout Series (pink)

Marianne Lovink- Sprout Series (pink)

Marianne Lovink- Speedway #1 & #2

Marianne Lovink- Speedway #1 & #2

Katja Zubkova- 01101010 01101111 01111001 (Joy)

Katja Zubkova- 01101010 01101111 01111001 (Joy)

Katja Zubkova- 01001011 01001100 01001001 01000101 (KLEI)

Katja Zubkova- 01001011 01001100 01001001 01000101 (KLEI)

Katja Zubkova- PR_10

Katja Zubkova- PR_10

Katja Zubkova- 01010110 01101001 01101110 01101111 (VINO)

Katja Zubkova- 01010110 01101001 01101110 01101111 (VINO)

Marianne Lovink- Cipher #1

Marianne Lovink- Cipher #1

Marianne Lovink- Offshoot

Marianne Lovink- Offshoot

Marianne Lovink- Zygote

Marianne Lovink- Zygote

Marianne Lovink- Rapport

Marianne Lovink- Rapport

Katja Zubkova- 01000100 01101111 01110110 01100101 (Dove)

Katja Zubkova- 01000100 01101111 01110110 01100101 (Dove)

Katja Zubkova- 01000110 01101111 01110010 01101101 (Form)

Katja Zubkova- 01000110 01101111 01110010 01101101 (Form)

Katja Zubkova- 01100011 0110001 01101100 01101101 (Calm)

Katja Zubkova- 01100011 0110001 01101100 01101101 (Calm)

Katja Zubkova- 01001000 01101111 01101101 01100101 (Home)

Katja Zubkova- 01001000 01101111 01101101 01100101 (Home)

Marianne Lovink- Sinkhole Series #2

Marianne Lovink- Sinkhole Series #2

Marianne Lovink- Interlock

Marianne Lovink- Interlock

Marianne Lovink- Embrace #1 & #2

Marianne Lovink- Embrace #1 & #2

Marianne Lovink- Cipher #4

Marianne Lovink- Cipher #4

Katja Zubkova- PR_12

Katja Zubkova- PR_12

Katja Zubkova- PR_11

Katja Zubkova- PR_11

Katja Zubkova- PR_15

Katja Zubkova- PR_15

Katja Zubkova- PR_16

Katja Zubkova- PR_16

Marianne Lovink- Cipher #5

Marianne Lovink- Cipher #5

Marianne Lovink- Cipher #6

Marianne Lovink- Cipher #6

Marianne Lovink- Offside

Marianne Lovink- Offside

Marianne Lovink- Crosswise

Marianne Lovink- Crosswise

Heidodan Sakura Tree, Study 2, Fukushima, Japan

Heidodan Sakura Tree, Study 2, Fukushima, Japan

Loggia #2

Loggia #2

Loggia #1

Loggia #1

Marquee

Marquee

Brood

Brood

Artist Statement

Believe is a new series of paintings by Vancouver-based artist Ghislain Brown-Kossi. Otherness, the artist’s leitmotif, is what Brown-Kossi believes unites all of humanity and is a reoccurring theme in his work. In other words, he feels our uniqueness is what we all have in common, as explained in Ubuntu’s humanism of “I am, because we are”.

In Believe, Brown-Kossi reactivates the ancestral symbols that he is known for using. Inspired by various geographical locations and cultural groups, the symbols are reworked and given new context. Manipulating them in this way, the artist’s intention is to free them from the temporal, spatial, cultural and religious constraints and attachments that may exist, immersing the viewer into a new visual language. The unique colour combinations and built-up symbols made of plaster reinforce the idea of ‘artist as architect’ of an imaginary new world that is united through communication. The fluid, circular shapes and pop colours are both references to his African heritage whereas the opposing straight lines and muted tones are references to what is more commonly seen in Western cultures, both of which are important to the artist. Rooted in art history, his other references include the compositions and colours of Wassily Kandinsky, Ellsworth Kelly, KAWS, Supreme and Takashi Murakami. Historical references such as ancient architecture and bas-relief carving are also signaled in his texture and built up use of plaster.

Artist Biography

Pricing